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ES-150DCN Guitars

1969 Gibson ES-150DCN

Color: Natural, Rating: 9.25, Sold (ID# 00136)
Call to Inquire: (818) 222-4113


One of Only 95 Natural ES-150DCs Shipped in 1969

One of only 95 Natural ES-150DCs (out of a total of 465) shipped in the first production year of 1969. Weighs just 6.30 lbs. and has a nut width of slightly over 1 9/16 inches and a standard Gibson scale length of 24 3/4 inches. Maple body, mahogany neck, and rosewood fretboard with 22 frets and inlaid pearl block position markers. Headstock with inlaid pearl "Gibson" logo and pearl crown inlay. Individual Kluson Deluxe tuners with double-ring Keystone plastic buttons. Serial number ("542572") stamped on the back of the headstock. Two humbucking pickups with black plastic surrounds and outputs of 7.30k and 7.38k. Five-layer (black/white/black/white/black) plastic pickguard. Four controls (two volume, two tone) plus three-way selector switch on lower treble bout and one master volume control on upper treble bout. Black plastic ribbed-sided conical-shaped "Witch Hat" knobs with white markings and metal tops. Tune-O-Matic nylon bridge with retainer and trapeze tailpiece with raised diamond on cross-bar. This guitar is in near mint (9.25) condition, with only the absolute minimum of surface scratching to the back. Housed in a later Gibson black hardshell case with black plush lining (9.00).

"In 1969 the 150 designation was revived and applied to a double cutaway electric with a 3" deep body called the ES-150DC" (A.R. Duchossoir, Gibson Electrics -- The Classic Years, p. 171).

"This new model of 1969 bears little resemblance to the ES-150s made from 1936 to 1956. Its name came, no doubt from its list price, which fell between those of the ES-175D and the ES-125. The standard ES-150DC (DC for double cutaway) has Gibson's usual four knobs and pickup selector switch, but it also has a master tone [i.e. volume] control on the upper treble bout -- the only double-pickup Gibson model with this feature" (George Gruhn and Walter Carter, Electric Guitars and Basses: A Photographic History, p. 80).

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