One of the finest examples extant

1957 Gibson J-160E Electric Flat Top

This sixty-eight year old 16 1/4-inch/wide "Dreadnaught" electric "Jumbo Flat Top" guitar weighs just 5.00 lbs. Laminated spruce top with 'ladder' braces, Solid mahogany back and sides, triple-bound on the top, single-bound on the bottom. One-piece mahogany neck with a very comfortable nut width of 1 11/16 inches, a standard scale length of 24.75 inches and a thick neck profile rising gently from 0.89 inch behind the first fret to 1.02 inches behind the 12th fret. Bound Brazilian rosewood fretboard with 20 original thin frets and pearl trapezoid position markers. Headstock with Inlaid pearl "Gibson" and pearl crown inlay and black 'stinger' on back of headstock. Single-layer bell-shaped black plastic truss-rod cover with two screws. Individual 'single-line' Kluson Deluxe tuners with 'Uncle-Lou' single-ring Keystone plastic buttons (with D-169400/Patent No. stamped on the underside). Tear shaped tortoiseshell pickguard. Solid rosewood bridge with two pearl dots (one at each end) adjustable white metal bridge bar, six ivory string pins. Single 'cover-less' P-90 pickup with six individually adjustable pole-pieces and an output of 7.57k. Two controls (one volume, one tone) on lower treble bout with gold plastic bell shaped knobs. Serial number "U2262 2" stamped in black on wooden plate at end of neck inside body and "J-160E also stamped in black on inside base of body. This totally original guitar is in near mint (9.25++) condition. The tuner tips have been expertly replaced with Uncle Lou premium tips as the originals had shrunken and crystalized as is invariably the case with guitars from the late fifties. Minor fret-wear is confined to the first three frets only, there are no 'divots' on the fretboard and aside from a couple of very small indentations on the top and treble side of the body, and some very minor playing-wear on the back of the neck - this example is as close to mint as one could ever wish for - certainly the finest example that we have ever seen! Complete with the original Gibson hang-tag with matching serial number. Housed in the original Gibson four-latch brown hardshell case with brown felt lining, handle replaced (8.75).

"… The story goes the Gibson J-160E was originally going to be the "Les Paul Flattop", but Les would not sign-off on the model with the solid spruce top (which would feed back much more than a laminated 3-ply top). So by 1955 Gibson changed the J-160E's top (and back) to plywood (but Les still never endorsed the model). The Beatles liked and used them, hence they have some collectibility for pretty much that reason alone." 

"…In 1954, an electric "Jumbo Flat Top" guitar made its appearance under the J-160E name. For Country and Western musicians it was basically a J-45 --- with a body of 16 1/4" x 20 1/4" x 4 7/8" --- that is a "Dreadnaught" acoustic model electrified by a small single coil pick-up installed at the end of the fingerboard. This pick-up was fitted with adjustable poles, and completed by volume and tone controls on top with a lateral out-put jack. 

The J-160E complemented the CF-100E introduced earlier [1951], and it enjoyed a much longer career since it was not discontinued until 1978… From the time of its introduction, several hundred J-160E guitars were produced each year, clearly evidencing the interest aroused by such an electric… John Lennon used his J-160E a lot in the early days of the Beatles." (A.R. Duchossoir. Gibson Electrics, p.108).